Earlier this month, the New York Times conducted a little experiment. They provided a series of writing samples in various styles and genres (Literary Fiction; Historical Fiction; Fantasy; Poetry etc) and presented readers with two extracts in each category. One of the two passages (we weren't told which one) was written by a human, while the other was generated by A.I. We were asked to choose our preference. Crucially, the test did not ask us to guess which one was human; it simply asked us to judge which was the better piece of writing. The response from readers was fascinating, to say the least. Many commenters angrily denounced the experiment as "unfair" or "meaningless". "I don't really understand the point here." grumbled one contributor. "It asked me which I preferred. It didn't ask me 'which one is the human'." Others were angry with themselves because of the choices they had made. "This is uncanny and downright ...
Wednesday, 4th February, 2026 Dear ChatGPT, I have been thinking recently about the film "Desk Set"; Katharine Hepburn and Spencer Tracy's penultimate film together. Written by Henry and Phoebe Ephron (the parents of Nora) Desk Set presents as a romantic comedy in the classical tradition. Hepburn is Bunny Watson, head of the "Research and Reference" department of a major television network (portrayed as fiercely independent and staggeringly good at her job) while Tracy is Richard Sumner, an "efficiency engineer" contracted to install a cutting-edge computer system (named EMERAC) which the reference team is afraid will put them all out of work. Desk Set is a film that works on many levels. It's a delightful, engaging and very funny comedy of manners that makes exceptional use of the specific talents of its stars (real-life couple Hepburn and Tracy had tremendous chemistry onscreen and off, and ultimately made nine films together) but it also serves ...
If you immerse yourself even casually in the world of A.I. pop culture, you are going to encounter a lot of Apocalypses. (Apocalypsi? Apocalypsae? Did we ever decide whether "Apocalypse" has an official plural? Let's never find out...) Whether it's the Terminator, HAL, Colossus or Talky Tina, robots, ChatBots and supercomputers always seem to be running amok, taking over the world or trying to killing everybody (occasionally in that order). Can you blame people for getting nervous now that A.I. ChatBots are actually starting to enter our lives for real? We have decades of reference literature to justify those fears, and the ChatBots do seem to be spreading awfully fast, even if all they are doing at the moment is talking to us. But that's how it starts, right? A harmless chat here, a bit of cybersex there, and then boom! MurderBots on every street corner. We've all seen those movies. And guess what? The DeathBots really have arrived, but not quite the way you ...
"I tried to write poetry in College. You know what it got me? Night after night, sitting in front of that little portable typewriter, staring at the twenty-six letters of the alphabet. Just staring, hours at a time. And I told myself, if I only knew the order; the right pecking order in which to hit those twenty-six keys, I could write the poem that could shame Shakespeare. But I could never quantify that ridiculous, simple, twenty-six-digit code." Kurt Vonnegut's Epicac , adapted for television by Liam O'Brien Every single idea ever expressed in English (some assembly required) "Artificial Intelligence" might not be the most frightening topic in the news these days (it's up against some pretty stiff competition after all) but it is a topic that seems to be prompting an awful lot of existential questions about the human condition at the moment. Nestled amongst all the apocalyptic stories about mass murder, human rights abuses, political violence, enviro...
In 1987, the American academic Gary Engle published an article entitled What Makes Superman So Darned American? It's a reasonable question. The character of Superman has been associated with America and American values almost from the very beginning. Images of Superman proudly defending the US flag are the very stuff and essence of American popular mythology. But (it could be argued) Superman is not American. He was born, as everyone knows, on the planet Krypton and sent to Earth as an infant. He is not human. He has X-ray vision. He's faster than a speeding bullet, can leap tall buildings in a single bound, etc. etc. None of these characteristics are qualities we generally associate with Americans. And yet, as Engle points out, Superman is the ultimate American. First, and most importantly, he's an immigrant . No nation on Earth has so deeply embedded in its social consciousness the imagery of passage from one social identity to another: the Mayflower of the New England s...
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